News & Notes

Beyond Boundaries: Big, Beautiful Artists’ Books

Posted in Uncategorized

I was delighted to be a part of the team that put together the current exhibition, “Exploding the Codex: Book Arts in Special Collections.” You can view this exhibition in the Main Gallery of Hill Memorial Library during regular library hours from August 19 – December 13, 2019.

Photo of exhibition case featuring various artists' books of unusual shapes

Exhibition case from “Exploding the Codex.”

In this post, I’d like to share some of the books that we chose not to display in the exhibition. Some books didn’t make the cut based on physical restrictions, such as case dimensions. We have many extraordinary artists’ books that are quite large.

Some Trout: Poetry on Trout and Angling by D. R. Wakefield is one such book, with dimensions of 38 cm X 53 cm X 2 cm. Some Trout pairs poetry by various authors with richly colored illustrations utilizing the traditional intaglio printmaking techniques of etching and aquatint. Each print was hand-pulled by the artist on handmade paper.

Interior pages from book Some Trout by D. R. Wakefield

Some Trout featuring intaglio and letterpress on handmade paper by D. R. Wakefield.

Other books were charming in their simplicity, but only opening the works to one page simply would not do them justice. When you turn the pages of Change by Alice Austin, a small window revealing part of an illustration on the first page grows throughout the book. When you reach the end, you are able to view an entire illustration. The small window is still present on the left side of the page, which shows the deep blue handmade paste papers of the cover. Each page only reveals one line of its poem, so while at first glance it appears simple, this book needs a reader to turn each of its four pages to uncover the transformation of both the subject and the image.

Photo of interior pages of book Change by Alice Austin

Change by Alice Austin.

A final example is of a book that exhibits sensory and interactive qualities. Duck Blind by Bill Kelly uses multiple papers that vary in feel and sound, ranging from soft whispers to crispy rattles. The translucent paper overlaps the illustrations, surrounding or obscuring the text as you move through the book. “For Kelly, the writings and the images must be seen together. A many-layered volume, Kelly explores the language of pure sound and makes it his own” (Brighton Press description).

Interior pages from book Duck Blind by Bill Kelly.

Woodcut, letterpress, and translucent papers in Duck Blind by Bill Kelly.

These beautiful artists’ books, and many others that are not currently on exhibition, are available for research and exploration in the Reading Room. Additionally, selections from our Book Arts Collection will be available to experience during our open house on October 24th. The exhibition and open house are free and open to the public.

For information on printing techniques, such as intaglio, woodcut, and letterpress, see Oxford Art Online, a comprehensive reference database accessible via LSU Libraries.

Some Trout: Poetry on Trout and Angling: PR1195 .T76 S66 1987 FLAT, McIllhenny Natural History Collection
Change: N7433.4 .A89 C53 2004, Rare
Duck Blind: N7433.4 .K458 D83 2013 FLAT, McIlhenny Natural History Collection

Caroline Ziegler is the Conservation Coordinator at Hill Memorial Library. She has an MFA in Book Arts & Printmaking from The University of the Arts where she studied under the conservator and book structure inventor Hedi Kyle.

Posted in Uncategorized

Leave a Reply

Your email address will not be published. Required fields are marked *



Recent Faculty Publications


Comeaux, Dave;  Emily Frank; and Mike Waugh. “Supporting Student Success: E-books as Course Materials,” CODEX: Journal of the Louisiana Chapter of the ACRL. Volume 5, Issue 2 (Fall/Winter 2019).

Haber, Natalie, Melissa Cornwell, & Andrea Hebert. “This worksheet works: Making the DLS Standards work for you.” College & Research Libraries News

Lounsberry, Megan. “No Textbooks Allowed! (Unless You’re a Graduate Student!): Louisiana State University Pilots an ILL Textbook Service. Journal of Interlibrary Loan, Document Delivery & Electronic Reserve.

Miles, John David. “Colfax, Kate Grant, and the Domestication of Reconstruction’s Violence,” Civil War Book Review. Volume 21, Issue 2 (Spring 2019).

Miles, John David. “The Loyalty of West Point’s Graduates Debated,” Civil War Book Review. Volume 21, Issue 1 (Winter 2019).

Miller, Marty. “Curriculum, Departmental, and Faculty Mapping in the Visual Arts Department,” Art Documentation, Volume 38, p 159-173 Issue 1 (March 2019).

O’Neill, Brittany; and  Allen LeBlanc. “Evaluating Trends in Instruction Scheduling Management: A Survey of Louisiana’s Academic Libraries,” CODEX: Journal of the Louisiana Chapter of the ACRL. Volume 5, Issue 2 (Fall/Winter 2019).

Russo, Michael, “The Moon Belongs to Everyone:  ResearchGate and Subscription Databases Compared.”  Louisiana Libraries. Winter 2019 (v. 81, no. 3).

Russo, Michael, “Information Literacy through Service Learning”  in Library Collaborations and Community Partnerships: Enhancing Health and Quality of Life.  Fannie M. Cox, Henry R. Cunningham, and Vickie Hines-Martin, eds., 2019.

Simms, Sarah; Hayley Johnson. “Hidden in Plain Sight,” 64 Parishes (Magazine of the Louisiana Endowment for the Humanities). Issue 4, Summer 2019.

Simms, S., & Johnson, H. (2019). Subtle activism: Using the library exhibit as a social justice tool. Alexandria.

Ziegler, Scott; and Cara Key. “More Than a Pretty Interface: The Louisiana Digital Library as a Data Hub,” CODEX: Journal of the Louisiana Chapter of the ACRL. Volume 5, Issue 2 (Fall/Winter 2019).


Hebert, Andrea. “Information Literacy Skills of First-Year Library and Information Science Graduate Students: An Exploratory Study,” Evidence Based Library and Information Practice Volume 13, Issue 3 (September 2018).

Miller, Marty. “Sacred vs. Profane in The Great War: A Neutral’s Indictment: Louis Raemaekers’s Use of Religious Imagery in Adoration of the Magi and Our Lady of Antwerp.” Catholic Library World, vol. 89, no. 1, Sept. 2018, pp. 20–32.

Rasmussen, Hans. “The Life and Death of Raquette in Nineteenth-Century New Orleans,” Sport History Review 49 (May 2018): 23-38.

Wilder, Stanley. “Delayed Retirements and the Youth Movement among ARL Library Professionals,” Research Library Issues, no. 295 (2018).

Wilder, Stanley. “Hiring and Staffing Trends in ARL Libraries,” Research Library Issues, no. 295 (2018).

Wilder, Stanley. “Selected Demographic Trends in the ARL Professional Population,” Research Library Issues, no. 295 (2018).

Ziegler, Scott; and Richard Shrake. “PAL: Toward a Recommendation System for Manuscripts,” Information Technology and Libraries, Vol. 37, No. 3 (2018).


Caminita, C.; Cook, M.; and Paster, A. (2017). Thirty years of preserving, discovering, and accessing U.S. agricultural information: Past progress and current challenges. Library Trends, 65(3), 293-315.

Dauterive, Sarah; John Bourgeois; and Sarah Simms. “How little is too little? An examination of information literacy instruction duration for freshmen.” Journal of Information Literacy, 11.1 (2017): 204-219.

Fontenot, Mitch; Emily Frank; and Andrea Hebert. “Going Where the Users Are: Three Variations on a Theme,” Louisiana Libraries, Fall 2017.

Hawk, Amanda K. “Highflying Crowdfunding: Creating a Successful Partnership with a Campus Donor,” Archival Outlook, July/August 2017: 12-13, 19.

Hebert, Andrea; and Marty Miller. (2017). Using FSA-OWI photographs to teach information and visual literacy. Louisiana Libraries, 79(3), 19–25.

Johnson, Hayley. “#NoDAPL: Social Media, Empowerment, and Civic Participation at Standing Rock,” Library Trends, Fall 2017.


Special Collections Hours

Contact Special Collections

Public Services Desk: (225) 578-6544

Reference Desk: (225) 578-6568

Fax: (225) 578-9425


Submit a reference question

RSS Feed RSS - Special Collections Posts